#flick

Just okay: Reviewing The Fault in Our Stars

 

Director: Josh Boone
Screenplay: Scott Neustadter and Michael H. Weber
Cast: Shailene Woodley, Ansel Elgort, Natt Wolf, Laura Dern, Sam Trammell, Willem Dafoe, Lotte Verbeek

(WARNING: Some spoilers ahead. Tread with caution if you haven’t read the book or watched the movie.)

The book was better than the movie.

There! I’ve said it. Don’t hate me.

The Fault In Our Stars, adapted from a novel written by John Green, follows the story of cancer-stricken teenager, Hazel Grace Lancaster (Shailene Woodley). She meets a cancer survivor, Augustus Waters, in a support group her parents forced her to attend because she is “depressed.” They fall in love in that way that will make you fall in love with them as well; the threats to their beautiful existence being cancer and the death it may bring, particularly in Hazel’s case, considering that she was very sick at the time, and Augustus was in remission. However, after amazing things have happened, Augustus tells Hazel that his PET scan “lit up like a Christmas tree,” this being the twist to the entire plot. It was Augustus who was dying, after all.

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JOIN MNL FILM CLUB!

MNL Film Club is looking for another pop culture buff who is willing (and passionate enough) to write reviews of movies and TV shows. If you are a Filipino film or tv show enthusiast, send us a brief essay (not longer than 800 words) about any topic in pop culture that changed your life.

Send in your entries to mnlfilmclub@gmail.com. We’ll be waiting!

Submarine is a subtle charmer

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Director: Richard Ayoade
Screenplay by: Richard Ayoade
Cast: Craign Roberts, Yasmin Paige, Noah Taylor, Paddy Considine, Sally Hawkins

I came to know about Submarine because I was (and still am) obsessed with Alex Turner and the Arctic Monkeys. I found out that there was this coming-of-age film with a soundtrack written entirely by Alex Turner during the pre-Suck It And See era; it signified the change in sound Arctic Monkeys was headed towards, from its indie rock garage band roots.

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Days of Future Past is a smart, worthy addition to the X-Men canon

Director: Bryan Singer
Screenplay:
 Simon Kinberg 
Cast: 
Hugh Jackman, James McAvoy, Michael Fassbender, Jennifer Lawrence, Halle Berry, Anna Paquin, Ellen Page, Peter Dinklage, Ian McKellen, Patrick Stewart

The scandalous allegations plaguing Director Bryan Singer aren’t enough to deny the fact that X-Men: Days of Future Past is a sleek, bold and intelligent film that can go down as one of the finest superhero films in history.

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Godzilla marks the kaiju king’s return in fighting form

Director: Gareth Edwards
Screenplay: Max Borenstein
Cast:  Bryan Cranston, Aaron Taylor-Johnson, Ken Watanabe, Elizabeth Olsen, Juliette Binoche, Sally Hawkins, David Strathairn

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There’s a good reason why many of us are apprehensive about the new Godzilla movie: we’ve had our fair share of bad flicks adapted from the so-called king of all kaijus. The perfect example of this would be the godawful 1998 franchise whose only achievement was casting the (still) dreamy Matthew Broderick.

So how did Godzilla’s return to the big screen fare? To put it mildly, like the titular character at the end of the film, it reigned supreme. (more…)

What happens in Last Vegas, should stay in Las Vegas

Director: Jon Turteltaub
Writer: Dan Fogelman
Cast:  Michael Douglas, Robert De Niro, Morgan Freeman, Kevin Kline, Mary Stenburgen

Nothing could be as heart-wrenching as seeing an amazing ensemble of award-winning actors trying to resuscitate a plot line that is as predictable as your next intake of medicine.

Maybe the producers of Last Vegas thought that by placing Oscar-winning actors in a supposed comedy, they could pull off box office success, regardless of having worn-out jokes and tired punch lines concerning Viagra, hip replacements, and body pains. But these respectable actors could only do so much and this movie, which could be seen as a GP version of the Hangover trilogy, has failed to deliver on its promise of being a comedy.

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Join MNL Film Club!

MNL Film Club is looking for another pop culture buff who is willing (and passionate enough) to write reviews of movies and TV shows. If you are a Filipino film or tv show enthusiast, send us a brief essay (not longer than 800 words) about any topic in pop culture that changed your life.

Send in your entries to mnlfilmclub@gmail.com. We’ll be waiting!

The Amazing Spider-Man 2 is not amazing at all

Director: Marc Webb
Screenplay: Alex Kurtzman, Roberto Orci, Jeff Pinkner
Cast:  Andrew Garfield, Emma Stone, Jamie Foxx, Dane DeHaan, Paul Giamatti, Sally Field, Chris Cooper

My problem with The Amazing Spider-Man franchise is its sheer existence. Why did Sony have to do a reboot when it has already established a superior franchise back in 2002 witn Sam Raimi at the helm? Upon seeing The Amazing Spider-Man 2, my problem was further reinforced.

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Why Mean Girls Matters: A Fan Manifesto

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Director: Mark Waters
Screenplay: Tina Fey
Cast:  Lindsay Lohan, Rachel McAdams, Lizzy Caplan, Lacey Chabert, Amanda Seyfried, Tina Fey, Amy Poehler, Jonathan Bennett, Daniel Franzese

Mean Girls…How do we begin to explain Mean Girls? In all its flawlessness, it needs no validation: it is the quintessential high school movie; the queen bee, if you must. And if you don’t know it, you’ve been living under a rock, or homeschooled by your research zoologist parents while spending your formative years in Africa. The wisecracks (say crack again? CRACK) has punched our hearts for 10 years now, and it’s still awesome.

Yes. Yes it is.

Yes. Yes it is.

And yes, I’ve packed 5 movie references in that first paragraph, and I’m unrepentant about it.

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Reading Transcendence’s virtual (dis)reality

Director: Wally Pfister
Screenplay: Jack Paglen
Cast: Johnny Depp, Morgan Freeman, Rebecca Hall, Kate Mara, Cillian Murphy, Cole Hauser, and Paul Bettany

A science-fiction film starring Johnny Depp (and also [the] Morgan Freeman) with Christopher Nolan as executive producer and a script included in the 2012 edition of The Black List (which, by the way, is a list of the best unproduced scripts handpicked by film executives) would have definitely sounded brilliant and full of potential. However, we all come to realize that once in a while, even blockbuster elements lead to lackluster results. Transcendence had it all, or so we thought.

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