#love

Just okay: Reviewing The Fault in Our Stars

 

Director: Josh Boone
Screenplay: Scott Neustadter and Michael H. Weber
Cast: Shailene Woodley, Ansel Elgort, Natt Wolf, Laura Dern, Sam Trammell, Willem Dafoe, Lotte Verbeek

(WARNING: Some spoilers ahead. Tread with caution if you haven’t read the book or watched the movie.)

The book was better than the movie.

There! I’ve said it. Don’t hate me.

The Fault In Our Stars, adapted from a novel written by John Green, follows the story of cancer-stricken teenager, Hazel Grace Lancaster (Shailene Woodley). She meets a cancer survivor, Augustus Waters, in a support group her parents forced her to attend because she is “depressed.” They fall in love in that way that will make you fall in love with them as well; the threats to their beautiful existence being cancer and the death it may bring, particularly in Hazel’s case, considering that she was very sick at the time, and Augustus was in remission. However, after amazing things have happened, Augustus tells Hazel that his PET scan “lit up like a Christmas tree,” this being the twist to the entire plot. It was Augustus who was dying, after all.

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AIDS is a battle yet to be won: Review of The Normal Heart

Director: Ryan Murphy
Screenplay: Larry Kramer
Cast: Mark Ruffalo, Julia Roberts, Matt Bomer, Taylor Kitsch, Jim Parsons, Joe Mantello, Jonathan Groff, Alfred Molina

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The timing of The Normal Heart’s television premiere couldn’t be more perfect: it was shown at a time when AIDS cases are gradually but steadily increasing in the Asia-Pacific region. And although AIDS may not be the biggest problem of most countries in the West right now, it remains a situation that is still left unresolved.

The Normal Heart has reminded us of the brutal reality that AIDS is still something we must fear. (more…)

Submarine is a subtle charmer

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Director: Richard Ayoade
Screenplay by: Richard Ayoade
Cast: Craign Roberts, Yasmin Paige, Noah Taylor, Paddy Considine, Sally Hawkins

I came to know about Submarine because I was (and still am) obsessed with Alex Turner and the Arctic Monkeys. I found out that there was this coming-of-age film with a soundtrack written entirely by Alex Turner during the pre-Suck It And See era; it signified the change in sound Arctic Monkeys was headed towards, from its indie rock garage band roots.

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What happens in Last Vegas, should stay in Las Vegas

Director: Jon Turteltaub
Writer: Dan Fogelman
Cast:  Michael Douglas, Robert De Niro, Morgan Freeman, Kevin Kline, Mary Stenburgen

Nothing could be as heart-wrenching as seeing an amazing ensemble of award-winning actors trying to resuscitate a plot line that is as predictable as your next intake of medicine.

Maybe the producers of Last Vegas thought that by placing Oscar-winning actors in a supposed comedy, they could pull off box office success, regardless of having worn-out jokes and tired punch lines concerning Viagra, hip replacements, and body pains. But these respectable actors could only do so much and this movie, which could be seen as a GP version of the Hangover trilogy, has failed to deliver on its promise of being a comedy.

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Why Mean Girls Matters: A Fan Manifesto

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Director: Mark Waters
Screenplay: Tina Fey
Cast:  Lindsay Lohan, Rachel McAdams, Lizzy Caplan, Lacey Chabert, Amanda Seyfried, Tina Fey, Amy Poehler, Jonathan Bennett, Daniel Franzese

Mean Girls…How do we begin to explain Mean Girls? In all its flawlessness, it needs no validation: it is the quintessential high school movie; the queen bee, if you must. And if you don’t know it, you’ve been living under a rock, or homeschooled by your research zoologist parents while spending your formative years in Africa. The wisecracks (say crack again? CRACK) has punched our hearts for 10 years now, and it’s still awesome.

Yes. Yes it is.

Yes. Yes it is.

And yes, I’ve packed 5 movie references in that first paragraph, and I’m unrepentant about it.

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Wes Anderson’s grandest film yet: Reviewing The Grand Budapest Hotel

Director: Wes Anderson
Screenplay: Wes Anderson
Cast: Ralph Fiennes, F. Murray Abraham, Mathieu Amalric, Adrien Brody, Willem Dafoe, Jeff Goldblum, Harvey Keitel, Jude Law, Bill Murray, Edward Norton, Saoirse Ronan, Jason Schwartzman, Tilda Swinton, Owen Wilson, Tony Revolori, Léa Seydoux

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I remember seeing the music video of Vampire Weekend’s Oxford Comma for the first time and thinking that it was reminiscent of the Wes Anderson aesthetic – the chapters, the way the camera pans from one scene to another for the entire duration of the video, and even the preppy outfits. The message of the song was revealed in the manner by which Wes Anderson would have told an audience of the story of one of his films; perhaps Wes Anderson’s quirky visuals and alternate realities are not just what constitute his approach to filmmaking, but something that has been established as a distinct brand of storytelling. But in The Grand Budapest Hotel, Anderson takes this aesthetic to a whole new level, without sparing the plot of the movie from the revolutionary grandeur he took in his stride.

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Ferris Buller’s Day Off is a YOLO film for the ages

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Director: John Hughes
Screenplay: John Hughes
Cast: Matthew Broderick, Mia Sara, Alan Ruck, Jeffrey Jones, Jennifer Grey

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The 1986 hit teen film Ferris Bueller’s Day Off proves that contrary to popular belief, our generation did not create the You Only Live Once consciousness, or simply YOLO as we fondly call it nowadays. Truth is, ‘80s people are doing YOLO before YOLO was actually cool.

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Game of Thrones recap: A (purplish) wedding and a funeral

Those who have read the A Song of Ice and Fire (ASOIAF) books know that King Joffrey Baratheon and Margaery Tyrell’s nuptial, or the Purple Wedding as it is fondly called by fans, will be one of this season’s highlights. Honestly, I was expecting to see it during the fourth or fifth episode because after the said wedding, the showrunners are left with only few materials to work with for this season. Remember that this season of Game of Thrones is based just on the second half of ASOIAF’s third book and not on its fourth (the fourth and fifth books, I believe, will be told in seasons five and six).

The Purple Wedding being shown in the second episode is tantamount to HBO declaring that there are a lot more to expect this year. So to my fellow fans, we better be prepared for what’s in store for us in the remaining eight episodes.

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And here goes the recap:

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Game of Thrones recap: Arya gets her revenge in the season 4 premiere

The much-hyped fourth season of Game of Thrones is finally here. With legions of fans all over the world, it’s easily the most popular television show at present. But how did the season 4 premiere fare?

Well it didn’t disappoint.

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The episode opened with a two-minute recap of what has happened in the show so far. Well the recap is more like an obituary featuring the show’s most brutal scenes including Ned Starks’ beheading at Balor, the Red Wedding (duh?!) and that time when Jamie’s right hand was cut off.

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What has become of high school stereotypes? Revisiting The Breakfast Club

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Director: John Hughes
Screenplay: John Hughes
Cinematography: Thomas Del Ruth
Cast: Molly Ringwald, Judd Nelson, Anthony Michael Hall, Ally Sheedy, Emilio Estevez

What hasn’t been said about The Breakfast Club? It is the quintessential high school film that effectively translated the inner turmoil of a high school teen into a glorious 97-minute story that everyone can understand and relate to. It is the precursor of teen movies, taking its root in the successful formula: that is to deconstruct the archetypal roles seen in high school. More recent teen movies, such as Pitch Perfect and Easy A, pay homage to this movie, and who can blame them? The glory of the high school movie genre began with The Breakfast Club.

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The premise is simple: five high school students went to school on a Saturday to serve detention, namely Brian Johnson (Anthony Michael Hall), the Brain; Andy Clark (Emilio Estevez), the Athlete; Bender (Judd Nelson), the Criminal; Allison Reynolds (Ally Sheedy), the Basket Case; and Claire Standish (Molly Ringwald), the Princess. They are all kept in a room, and considering their different backgrounds (in high school, it was more like a caste system), they didn’t get along with each other so well. The audience is given a glimpse into each one’s quirks, most of which were compatible with their own social labels – nothing surprising there. The dandruff scene is comedy gold. But what made the movie an essential high school movie is how it played with the stereotypes, not just with deconstruction, but also with how one stereotype interacted with another. Locked in one room from 7 AM to 4 PM, will they all come out alive? The alternative of their pulling a Battle Royale might be epic, too, now that I think about it, but what happened in that room, and how they changed each other is more significant.

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