Director: John Hughes
Screenplay: John Hughes
Cinematography: Thomas Del Ruth
Cast: Molly Ringwald, Judd Nelson, Anthony Michael Hall, Ally Sheedy, Emilio Estevez
What hasn’t been said about The Breakfast Club? It is the quintessential high school film that effectively translated the inner turmoil of a high school teen into a glorious 97-minute story that everyone can understand and relate to. It is the precursor of teen movies, taking its root in the successful formula: that is to deconstruct the archetypal roles seen in high school. More recent teen movies, such as Pitch Perfect and Easy A, pay homage to this movie, and who can blame them? The glory of the high school movie genre began with The Breakfast Club.
The premise is simple: five high school students went to school on a Saturday to serve detention, namely Brian Johnson (Anthony Michael Hall), the Brain; Andy Clark (Emilio Estevez), the Athlete; Bender (Judd Nelson), the Criminal; Allison Reynolds (Ally Sheedy), the Basket Case; and Claire Standish (Molly Ringwald), the Princess. They are all kept in a room, and considering their different backgrounds (in high school, it was more like a caste system), they didn’t get along with each other so well. The audience is given a glimpse into each one’s quirks, most of which were compatible with their own social labels – nothing surprising there. The dandruff scene is comedy gold. But what made the movie an essential high school movie is how it played with the stereotypes, not just with deconstruction, but also with how one stereotype interacted with another. Locked in one room from 7 AM to 4 PM, will they all come out alive? The alternative of their pulling a Battle Royale might be epic, too, now that I think about it, but what happened in that room, and how they changed each other is more significant.